Dolly Parton on the comeback trail
BY ALAN SCULLEY
CORRESPONDENT
Thursday, October 30, 2008 2:46 AM EDT
Despite a back injury that forced Dolly Parton to delay her tours in 2008, Dolly Parton is back on the road with her signature country sound.
AN EVENING WITH DOLLY PARTON, the annual benefit gala at the Providence Performing Arts Center, will be held at 7:30 p.m. Saturday. Tickets are $128, $98, $78, and $68. (ppacri.org or 401-421-ARTS)
Dolly Parton's tour plans for 2008 got off to a delayed start whens he suffered a back injury in February.
That situation, of course, was bound to prompt some jokes about the cause of the injury, and in a recent phone interview Parton had already decided to beat them to the punch line.
"The truth is I just bent over one day to pick something up and I hurt my lower back," Parton said. "I just kind of popped a disk in my lower back. So I said, 'I know it's not my boobs. It's my lower back, and my butt ain't that big anymore.'
"So it was just one of those freak things, and it's fine now."
Parton's tour comes on the heels of her first mainstream country album in a decade, "Backwoods Barbie," which was released in February.
Shunned by radio since the 1990s, Parton decided to explore bluegrass in recent years, releasing a trio of stu-dio albums that emphasized her love for the style, "The Grass Is Blue" (1999), "Little Sparrow" (2001) and "Halos And Horns" (2002), as well as a 2004 concert set, "Live And Well," that focused on material from those three CDs.
"I've wanted to always have country records, hit records, but as you know country music started changing its colors many years ago," Parton said. "They had what they called 'new country,' and a lot of the younger people were coming on the scene. They kind of ditched some of us older artists that had a good career. I never bitched about that because country music has been great to me and radio has been great to me as well.
"And even though I had recorded other country records, I couldn't get on the charts. So I just started doing things like the bluegrass and the more acoustic things, specialized albums, and paying for them myself and then just leasing them to different record labels."
Finally, though, Parton decided to make an album that more closely reflected her signature country sound, and she went to work on "Backwoods Barbie." She wrote nine of the 12 songs on the CD, releasing it on her own label, Dolly Records.
"So far we're getting some good reaction," she said. "But I would just love to have some chart records on the radio and still be played because that's what I love to do."
For many years, of course, Parton was very familiar with the feeling of having country hits.
She arrived in Nashville in the early 1960s and got her big break in 1967 when she was hired by Porter Waggoner as his replacement of singing partner Norma Jean for his television show.
The stint with Waggoner helped put Parton in the spotlight, and by the time she left Waggoner in 1974, she had already scored hits such as "Jolene" and "Coat Of Many Colors."
Her popularity soon grew even further. She won the CMA female vocalist of the year awards in 1975 and 1976, and began to shift her sound in more of a pop direction - a move that paid off in a big way when her 1978 single "Here You Come Again" became a blockbuster hit.
In the 1980s, she expanded into film, with roles in the hit movies "9 to 5," "The Best Little Whorehouse In Texas," "Rhinestone" and "Steel Magnolias." She also had a hit duet, "Islands In The Stream," with Kenny Rogers and joined Linda Ronstadt and Emmylou Harris to make the 1987 album "Trio."
But by the early 1990s, country music was shifting toward younger stars and Parton couldn't crack the charts. She said she thinks radio might be a bit more open to her music now, and is promoting "Backwoods Barbie" with her world tour.
"We have a big old show this time with a little more visuals than we had last year," Parton said. "Right now we're doing 'Backwoods Barbie,' 'Jesus & Gravity' and 'Drives Me Crazy' (a new cover of the Fine Young Cannibals' pop hit). We're doing about four or five of the new tunes, and then of course we always have to do our standards like 'Jolene' and 'Coat Of Many Colors,' 'I'll Always Love You,' '9 To 5,' and all that.
"Then we've got a few little comedy things. I'll be playing different instruments and I've kind of added a little song that Little Jimmie Dickens had out years ago, and the show is called 'I'm Little But I'm Loud.' So we've kind of worked up a fun little thing that we can have fun with the audiencesWe do a medley of music from the '50s, '60s and '70s, where we just do bits and pieces of songs, featuring different (musicians) in the band. So we have a lot of fun things hopefully to entertain everybody and entertain ourselves."
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